This report summarizes research on the perceptions of South African documentary filmmakers about copyright clearance requirements and the effect of such requirements on their work. This work was performed in the context of a larger project exploring how lessons learned from “best practices” projects with documentary filmmakers in the U.S. can help their counterparts in other countries identify and overcome barriers to effective filmmaking posed by escalating copyright clearance requirements.
"The three-day symposium, held June 22-24, 2010, began with the premise that culture flourishes through the creation of new music, videos, and textual works, and it explored better ways to balance the needs of cultural innovation with the rights of owners of creative works. Weiterlesen